The papers fall due to the effects of the atmosphere in the room, a result of the work of an engineer, as well as several interior designers. Ebtisam took into account these dimensions in her work and thus was able to pre-conceptualize the descent of the papers. Sound, from the devices as well as the movement of cloth, all play a part in moving the papers. Sound waves that travel through air help determine where the papers fall. We see the papers as static but, on the contrary, they are still in motion because of all the background vibrations of the air.
As people walk into the building a draft of air is created. This air current, the movement of the bodies, and a whole host of indiscernible factors affect the falling papers from the moment they are placed in the printer until the moment the 'PRINT' icon is clicked.
The device is printing now... there is a time discrepancy between the initial moment and the current moment.

There is no holy time, no stationary moment in any work of art. Even though the device is apparently motionless, the vibrations of the air cause a motion undetectable to the naked eye. The interaction of people attending the exhibition also affects the work profoundly. The person who gives the printing order, others who touch the piece, those who leave their hand prints, fingerprints, or shoe prints, all those people were there, one comes, another goes, but remnants of their presence remain; things people hardly notice. From there a connection is borne with that anonymous print owner. The computer is oblivious to 'Out of Order' as a work of art, just as the leftover prints and dust are to their owners.